Alice jumps to the White Rabbit’s call into the stand.
She forgets that she has grown larger and knocks over the jury stand, then scrambles to place every one of the jurors back. Alice claims to understand “nothing whatever” in regards to the tarts, that your King deems “very important.” The King is corrected by the White Rabbit, suggesting that he in reality means “unimportant.” The King agrees, muttering the text that is“important “unimportant” to himself.
The King interjects with Rule 42, which states, “All persons a lot more than a mile high to leave the court.” Everyone turns to Alice, who denies she actually is a mile high and accuses the King of fabricating the rule. The King replies that Rule 42 could be the oldest rule into the book, but Alice retorts that it ought to be the first rule if it is the oldest rule in the book. The King becomes quiet for a brief moment before calling for a verdict. The White Rabbit interrupts and declares that more evidence must be presented first. A paper is presented by him supposedly compiled by the Knave, though it isn’t written in the Knave’s handwriting essay helper. The Knave refutes the charge, explaining that there’s no signature from the document. The King reasons that the Knave should have meant mischief because he would not sign the note like an honest man would. The court seems pleased by this reasoning, and also the Queen concludes that the Knave’s is proved by the paper guilt. Alice demands to see the poem on the paper. The King provides an explanation and calls for a verdict while the poem appears to have no meaning. The Queen demands that the sentence come before the verdict. Alice chaffs at this proposal and criticizes the Queen, who calls for Alice’s beheading. Alice is continuing to grow to her size that is full and away the playing cards as they fly upon her.
Alice suddenly wakes up and finds herself back on the sister’s lap in the riverbank. She is told by her adventures to her sister who bids her go inside for tea. Alice traipses off, while her sister remains because of the riverbank daydreaming. She envisions the characters from Alice’s adventures, but knows that when she opens her eyes the images will dissipate. She imagines that Alice will one grow older but retain her childlike spirit and recount her adventures to other children day.
The chapter title “Alice’s Evidence” refers both towards the evidence that Alice gives during the trial, and also the evidence that she can control by waking up that she discovers that Wonderland is a dream. Alice realizes through the trial so it all “doesn’t matter a bit” what the jury records or if the jury is upside down or right side up. None of this details or orientations in Wonderland have any bearing on a coherent or outcome that is meaningful. Alice’s growth throughout the trial mirrors her awareness that is growing of proven fact that Wonderland is an illusion. She starts to grow as soon as the Mad Hatter bites into his teacup, and she reaches full height during the heated exchange with the Queen when she points out that her antagonists are “nothing but a pack of cards!” Alice exposes Wonderland as an illusion and her growth to full size comes with her realization that she’s got a measure of control of the illusion. Once she understands that Wonderland is a dream, she wakes up and shatters the illusion.
Alice fully grasps the nonsensical nature of Wonderland when the King interprets the Knave’s poem. Alice disputes the King’s attempts to attach meaning to your nonsense words of the poem. Her criticisms are ironic, since throughout her travels she has continually experimented with sound right associated with the various situations and stories she has encountered. Alice finally understands the futility of trying to produce meaning out of her adventures of Wonderland since every right section of it is completely incomprehensible. This message is intended not just for Alice but also for your readers of Alice’s Adventures in Wonderland as well. Just as the court complies with the King’s harebrained readings associated with poem, Carroll sends an email to people who would try to assign specific meanings to the events. Alice’s Adventures in Wonderland actively resists interpretation that is definitive which is the reason the diversity of this criticism written concerning the novella.
The final scene with Alice’s sister establishes narrative symmetry and changes the tone of Alice’s journey from harrowing quest to childhood fantasy.
The reintroduction of this scene that is calm the riverbank allows the storyline to shut since it began, transforming Wonderland into an isolated episode of fancy. Alice’s sister ends the novella by changing the tone of Alice’s story, discounting the nightmarish qualities and favoring a dreamy nostalgia for “the simple and loving heart of her childhood.” The interpretation that is sister’s Alice’s experience of trauma and trivializes the journey very little more than a “strange tale” that Alice may eventually recount to her own children.